Phasis, the phaser, first appeared last year as a Christmas gift, so many of you probably have this one in your arsenal already. It’s a cool flanger for sure, capable of a great many options. On top of that, there are as many as 24 chord settings to experiment with, alongside features like Detune (ofsets flanger pitch), Feedback (thickens flanging with adjustable damping control to roll of high frequencies & soften the effect at high feedback values), and Width (creates stereo flanging). Flair features a new Voices mode where multiple delay lines are used to create tuned harmonic flanging layers and resonances. Pretty epic chorus, all in all – there may be more complex offerings on the market, but Choral is both powerful and rather simple to use, so sign us up!Īlthough Flair is said to be recreating those old analog tape and pedal flanging effects with good success, NI’s flanger doesn’t stop there. Sounds interesting!Ĭustomization options are rampant within Choral – for example, you can set the number of chorus voices from one to three, alter the sync rate, and adjust modulation rate, chorus amount, mix, delay time, stereo width, and feedback. NI also created a feedback mode called Scatter – it’s designed to avoid the typical unpleasantness of heavy feedback effects in the traditional chorus, introducing a new reverb-like effect. ![]() Choral is supposedly good for adding width, movement, sheen, and shimmer to anything you throw at it. ![]() According to NI, Choral borrows inspiration from some of the best choruses of the last 40 years – and that’s a darn long time! While you probably imagine a bunch of guitar pedals, NI pretty much cleared the whole closet, for several rack-mount and synth-based unison units made the cut, too.
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